At Lucky Break News, perhaps now more than ever we feel it is a necessity to support local theatre and the creative community that it fosters. In a world increasingly dominated by large-scale, commercial entertainment options, local theatre represents a vital part of the cultural fabric that reflects the uniqueness of its community. With all the recent closures of theatres and art courses throughout Britain, it is imperative that we show up and support local projects.

It is also an opportunity to experience raw, authentic performances that can tackle important social issues, reflect diverse perspectives, and bring people together in ways that resonate on a personal level. And look no further than ‘j [a working title]’.

A play by Everleigh Brenner and expertly directed by Maria Cristina Petitti, I was hooked right from the toe tapping music number at the beginning of the show. Jay (Everleigh Brenner) sits on a bus struggling to write the eulogy for her mothers funeral but, when rudely accosted by a friendly face (Per Carminger), she plummets into an absurdly comedic exploration of identity.

A play that consists of two actors, two chairs, a pen, a notebook, and a great playlist will have you engaged throughout. I was instantly drawn to the connection shared by Brenner and Carminger on stage. Although it was unclear what they were to each other at the beginning, it was immediately clear that they shared a strong bond, healthy or not, we didn’t know. Brenner is the backbone, the foundation of the performances. Her vulnerability holds your attention throughout as she navigates this roller-coaster of a character. Per Carminger enters early on and brings such an energy that can only be compared to Taz The Tasmanian Devil (For the Millennials out there). The unpredictability of this character will have you on edge throughout and is portrayed excellently by Carminger. They cry, they fight, they dance together. They sway back and forth like a pendulum. Equally matched performances that lures you in with their magnetic presence and undeniable chemistry.

The direction from Petitti further elevates these performances. For a play that may initially appear unhinged and random, it is clear that it has been carefully nurtured with a thoughtful and deliberate approach. Behind its seemingly chaotic structure lies a well-crafted vision, with every moment, every transition, and every character development thoughtfully planned and executed. Bravo!

There is so much to say about this production. The music, the dialogue, the connection, the rawness, the dance number! But rather than listen to us waffle on, experience it for yourself. If you’re in the London area, all we can say is, get yourself a ticket to see ‘j [a working title]’ and immerse yourself in what can only be described as the most entertaining eulogy I’ve ever witnessed.

On at the Space Theatre until Saturday the 15th of February! For more details click here!