‘Second Best’ the new play written by Barney Norris (Visitors, Every You Every Me,), based on David Foenkinos’s internationally best-selling novel, and directed by former Donmar Warehouse artistic director Michael Longhurst (Next to Normal) is currently playing at Riverside Studios, Hammersmith, until February 22nd, 2025.

The play follows Martin (Asa Butterfield) at the age of 10 on the verge of stardom, having made it to the final two contenders for the role of Harry Potter, only to miss out. Now an adult, Martin is preparing to face the life-changing journey of fatherhood. Amidst the whirlwind of emotions, he finds himself drawn back to that defining moment in his past, struggling to move on from imagining the life he might have had.

Critics have praised the show but paid particular attention to the debut stage performance of Butterfield calling him ‘A riveting storyteller’ in his portrayal of Martin Hill.

1. The Stage: Praises the set design by Fly Davis as it subtly echoes Martin’s past, with elements symbolising key moments of trauma. The vast, blank stage represents a life still to be filled with experiences. The play explores Martin’s feelings as he prepares to become a father and reflects on his near-fame, but also delves into his relationship with his partner Sophie. Though the story of their relationship isn’t fully developed, the play ends on an uplifting note, offering a hopeful reminder that when one door closes, another opens for those who have experienced a “second best” life.
2. The Guardian: Compliments ‘Second Best’ as a one-man play that channels the energy of an Alan Bennett ‘Talking Heads’ monologue, but with a hyperactive narrator in a pristine modern art gallery. The Guardian believes why the play offers some thoughtful insights into fame and Martin’s emotional struggles, some themes, such as his girlfriend’s portrayal as a “holy saviour,” come across as simplistic. Asa Butterfield, making his stage debut, skilfully drives the action, seamlessly transitioning between characters and bringing depth to Martin’s complex personality. Though certain parts of the play could be expanded, Butterfield’s performance is both charming and nuanced, ensuring it lives up to its title.
3. What’s On Stage: Like many other reviews, What’s On Stage draws attention to Butterfield as he brings Martin’s character to life with precision and comic timing, drawing the audience into his internal struggle. The narrative weaves in elements of Harry Potter, from jokes to a brief Radcliffe impersonation, illustrating how Martin’s near-stardom continues to haunt him. Directed by Michael Longhurst, the production makes inventive use of Fly Davis’s minimalist white-box set, with striking visual effects like a floating hospital bed and symbolic ash falling during moments of Martin’s deepest gloom. The play’s rich performances and layered themes make it an engaging, unexpected reflection on self-worth, fame, and the weight of unfulfilled potential.
4. London Theatre: Writes although the play, is humorous at times, it delves into heavier topics like childhood trauma, death, bullying, and mental health. Butterfield’s performance is captivating as he switches between multiple characters, using his physicality and vocal range to bring them to life. Enhanced by Paule Constable’s lighting, director Michael Longhurst sets the tone for Martin’s internal struggles, while props like a hospital bed and a cupboard help to move the story along. It is a poignant and thought-provoking exploration of life’s “what ifs,” blending humour and heartbreak. London Theatre describes Butterfield’s performance as stellar, leaving audiences both laughing and reflecting on their own life’s “what ifs.”

At Lucky Break News, we thoroughly enjoyed this show and in particular Butterfields debut performance. To hold the audience’s attention for 90 minutes is no mean feat. We absolutely loved, in particular, the location of the hospital bed and the little bit of magic right at the end. Go see it!

The Stage – 3 out of 5 Stars

The Guardian – 3 out of 5 Stars

What’s On Stage – 4 out of 5 Stars

London Theatre – 5 out of 5 Stars